Progressive tech death collective ARKAIK has officially unleashed the eagerly anticipated Nemethia full-length today. A continuation on the conceptual saga of the two previous releases, on Nemethia the journey of Cyrix expands into new landscapes, as does the band’s technical prowess and creativity.
This fourth full-length album was produced, engineered, and mixed by Zack Ohren (Immolation, Fallujah, Suffocation, Decrepit Birth et al.) at Sharkbite Studios in Oakland, California, and features guest appearances by Joe Haley of Psycroptic, Arde Ostowari formerly of Burning The Masses, Stephen Paulson of the San Francisco Symphony Orchestra, and former ARKAIK guitarist Craig Peters, as well as Gabe Seeber from The Kennedy Veil and Decrepit Birth (live) performing drums for the entire album. The cover art and booklet was designed by visionary artist Tyler Space, who worked with the band on their previous release, Lucid Dawn.
Said founding vocalist Jared Christianson of the record’s concept, “This album fully sets the stage and builds on the story we started developing two albums ago with Cyrix and Metamorphignition. We’ve begun weaving together our own mythos of synchronicity and symbolism to encapsulate and distill the journey of the alchemist through the gnostic dream. It attempts to reveal through storytelling and allegory that we can experience real freedom and discover the inner treasures that guide us to who, what, and where we want to be, if we are willing to pull back the veil of lies blinding us from the truth of our nature. If I could sum up everything we’ve done so far, my personal journey and our message as a band in three words it would be the lyric ‘pain to power’ from the song ‘Telegnosis.’ To me, it’s about transmuting your struggles into strengths and refining your personal power and will. I really enjoyed making this album and hope people dig it!”
Adds guitarist Greg Paulson of the sound and songwriting process, “This is the most involved I’ve been on an ARKAIK record so far. The songs are more thought out and meticulously crafted. I wanted to retain the sonic brutality ARKAIK is known for, while introducing new elements to further expand on the band’s sound. I incorporated greater symphonic instrumentation throughout the record and utilized my classical background to add more depth and dynamics to the arrangements. The album is overall more complex, I even added some harmonized vocals to blend with Jared’s voice, making for some interesting layered textures. This is sure to be the most unique ARKAIK album to date. I’m really proud of what we created and hope people enjoy it.”